I think the brief Internet Trend Age of curated aesthetics is ending. It’s pretty disappointing; after all, what is more satisfying than a Pinterest board full of assemblies of objects that give “Ravenclaw” or “Dark Academia”? Not much. I dig a Dark Academia aesthetic day.
Before I moved to the city on the prairie, I thought a lot about aesthetics. I was living in a time of transition. Based on what future job my partner chose, I could have moved to the Southern Great Plains, the Upper Midwest, or stayed in a college town in Indiana. I sat in my favorite coffee shop and wrote a bunch of garbage which I’ve copied and pasted below.
Now I’ve seen a couple Tik Toks which rightfully attach aesthetic to Capitalism, saying that we promote and keep this aesthetic thing going by buying shit to live our aesthetic. This idea is especially prevalent with the “eclectic grandpa” and “bookshelf wealth” aesthetics, two aesthetics which boil down to doing a variety of things you’re actually interested in and displaying books you’ve actually read. These Tik Tokers criticizing aesthetics as a tool of capitalism (and other stuff, please, just watch the Tik Toks on your own, this is a blog, not going to find a bunch and summarize them) are right, but damn if it doesn’t make me feel kind of sad.
This article says that it’s “ok to mourn the death of social media,” and I kind of feel the same way about this aesthetic curation situation. I’m glad that people are criticizing the “image-ness” of aesthetics. But there’s a sixteen-year-old inside me that still gets excited when I see a Ravenclaw aesthetic board and I feel a little sad that it feels stale. I feel a little sadder to know that the image feels stale because aesthetics have been over-produced; that is, I’ve consumed so much digital content that I’ve been forgetting to do stuff. So all in all, it’s better that people are criticizing these online aesthetics, and the more we move on and do our own stuff, the deeper and better our personalities and relationships will be.
Idk though, a couple years ago I visited an AirBnB near Point Pelee, Ontario. It was a small add-on to a small house on the shores of the Lake. The decorations, random books and items, were from all around the world. The house was right across the street from a restaurant that had nice sandwiches and beer and it was located a short distance away from a place that served ice cream. I remember thinking that I wanted to have a house that looked and felt like that. And now I actually do, and – I feel – very happy and content.
the words from 2019:
I’ve thought about this idea for at least a year now. These are not original thoughts. Many people have thought them before. Thus, it seemed, not great, to waste time corralling this idea into a narrative, because, it is really just a series of questions.
Experiencing an aesthetic is less exciting than the experience of imagining an aesthetic. Experience is subtle. Experience is uncontrolled. The sounds which create an aesthetic are irregular and we do not choose when they occur. Rain is subject to the rhythms of the wind – the shifting solar pressures of a planet which we do not hold in our hand.
A friend said simply: “Life is not glamourous. My life as a consultant is not glamorous. Life is not an academic TikTok. It is not a stock office photo.” Marketing packages aesthetic, presents an image, tells others. Marketing simplifies complexity to an authentic aesthetic. Marketable authenticity is an aesthetic which forgets that authenticity is beyond complex. It is messy.
The grad school English student aesthetic?
The grad school engineering student aesthetic?
The flying aesthetic?
The water engineer aesthetic?
The dank middle Midwest winter aesthetic?
The southern Great Plains aesthetic?
The aesthetic of the Northland?
I want to feel the aesthetic of the Northland.
The Ivy League theology professor or the Toni Morrison is a goddess aesthetic?
How can we differentiate pursuing excellence from pursuing an aesthetic?
How many aesthetics are acceptable to be combined and packaged into a singular person’s brand?
How can you authentically brand yourself to get a job without constantly falling into the trap of saying, what aesthetic do I fit into?
Are aesthetics a new religion?
Are aesthetics an extension of the postmodern sensate culture of the self?
When one arrives at phrases about cultures of the self and self-centeredness, it is time to look outward.
What kind of person should I be, as a Christian, that part of myself which is beyond myself?
Even then, the summarized sentence, “instead of pursuing an aesthetic, our pursuit should be to come to know God,” has been aestheticized. When I say that phrase, I imagine old men studying books printed with tall 1990s Times New Roman font and the pastor’s wife in the church cinder-block basement, sucking all the fun out of life. In turning from that aesthetic, I imagine awful visits to new churches, the question “how can we serve you,” coffee, Bible journaling.
I guess what I’m trying to say using the aesthetic of a blog post is that my question used to be how does one get out of all the aesthetics and then I realized today when you are out of pursuing an aesthetic and instead you are totally in a moment there is no aesthetic, there is only what is, and you don’t feel what you feel when you look at an acclomeration of aesthetics, instead, you just feel what you are, and how, who, has described that before.

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